Don Driver and Colin McCahon: An eco-critical perspective

Judge, Paul and Sutherland, Bridget (2014) Don Driver and Colin McCahon: An eco-critical perspective. ANZAAE 2014 Te Aho I Muri Nei: Connections, Culture and Creativity, Auckland, New Zealand, 15-17 July, 2014. (Unpublished)

[img]
Preview
PDF (Abstract for ANZAAE conference, 2014) - Published Version
Available under License Creative Commons Attribution No Derivatives.

295Kb

Abstract or Summary

Don Driver (1930-2011) is considered to be one of New Zealand’s foremost assemblage artists. In this paper we intend to explore some of the threads connecting his works, focusing on reading his assemblage sculptures and installations within the context of ecology and animal studies. From this perspective it is clear that Driver was engaging with the conditions of industrial capitalism on a number of levels, exploring the contemporary psyche, our relationship to the natural environment and the rituals of our anthropocentric culture. The visual aspects of Driver's local New Plymouth, an industrialized, international port, surfaced in his art and led to a preoccupation with energy, creating complex works that can be read as metaphors for the post-modern condition and with powerful premonitions of ecological crisis. His installation ‘Burnt Out’ at the Adelaide Festival Centre, 1985, addressed issues of weather and temperature increase, its effects on flora and fauna and its metaphorical connection to the human condition. His final work, Elephants For Sale, 2010, is evocative of our relationship with animals and deals with enormous questions such as the reality of extinction and the concept of our responsibility for life on this planet. Excerpts from the film ‘Don Driver Magician’, made by the presenters, will be used to illustrate the main points. Driver’s work will be placed within the context of NZ art, specifically Colin McCahon and the work of Australian artists such as Rosalie Gascoigne.

Item Type:Paper presented at a conference, workshop, or other event which was not published in the proceedings
Additional Information:This paper was developed from research done on the film Don Driver: Magician and included a discussion of Colin McCahon
Keywords that describe the item:Don Driver, Colin McCahon, New Zealand art, painting, sculpture, eco-art, environmental art, critical animal studies
Subjects:N Fine Arts > N Visual arts (General) For photography, see TR
N Fine Arts > NB Sculpture
N Fine Arts > ND Painting
N Fine Arts > NX Arts in general
Q Science > QH Natural history
Divisions:Schools > School of Media Arts
ID Code:3667
Deposited By:
Deposited On:06 Jan 2015 19:58
Last Modified:06 Jan 2015 19:58

Repository Staff Only: item control page