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Stylistic pastiche and intertextuality in musical theatre: Practice and theory

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Abstract

This paper was presented at the international Crosstown Traffic Conference, University of Huddersfield, 3-5 September 2018 (meeting of the IASPM and Art of Record Production). The paper presents a theory of intertextuality uses in musical theatre with reference to the connections between analysis of existing shows and creative outputs. The slides are attached.

Item Type: Paper presented at a conference, workshop, or other event which was not published in the proceedings
Uncontrolled Keywords: Musical Theatre, Style, Analysis, Creative Practice
Subjects: M Music and Books on Music > M Music
Depositing User: Nick Braae
Date Deposited: 20 Sep 2018 20:44
Last Modified: 21 Jul 2023 07:24
URI: http://researcharchive.wintec.ac.nz/id/eprint/6158

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