This dissertation investigates how the graphic novel has been used to represent major historical events. Through the analysis of graphic novels such as: Li Kunwu’s (2012) A Chinese Life, Liu Jing’s (2011, 2016) Understanding China through Comics, Art Spiegelman’s (1980) Maus and Marjane Satrapi’s (2003, 2004) Persepolis, this dissertation explores the format and conventions of graphic novels and shows how the combination of text, panels, and images powerfully represent major historical events. The research reveals that graphic novels provide an accessible way for readers to understand complex and conflict-ridden events in history.