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Items where Subject is "ML Literature of music"

Group by: Creators | Item Type
Jump to: A | B | G | K | M | R | W
Number of items at this level: 42.

A

Abo Ganis, Janice and Mandelberg, John (2007) Watani Habibi: My beloved homeland [Short film]. In: Toi Awhio Research Symposium: Knowledge in form, 23-25 November, 2007, Dr Buck Nin Auditorium, Te Wananga o Aotearoa ki Waiariki, Rotorua, New Zealand. (Unpublished) UNSPECIFIED

B

Bannister, Matthew (2007) Adorno is a punk rocker: Negation and 80s alternative rock music. In: Sounds and selves: Selected proceedings from the 2005 IASPM Australia/New Zealand Conference. International Association for the Study of Popular Music, Sydney, New South Wales, Australia, pp. 82-90. ISBN 9780975774717 UNSPECIFIED

Bannister, Matthew (2021) “And the world will be as one” - John Lennon, Yoko Ono and Nutopia. Transformations, 35. ISSN 1444-3775 UNSPECIFIED

Bannister, Matthew (2009) Being in time: Heidegger, handlability, creative research and popular music. In: Stuck in the Middle: the Mainstream and its Discontents: Selected Proceeedings of the 2008 IASPM-ANZ Conference. IASPM-ANZ, Brisbane, Queensland, Australia, pp. 6-11. ISBN 978-0-9581497-1-6 UNSPECIFIED

Bannister, Matthew (2015) Bergson's theory of memory and musical participation. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

Bannister, Matthew (2010) Boys and girls come out to play: Gender and music-making in Hamilton, New Zealand/Aotearoa. Genders, 52. ISSN 1936-3249 UNSPECIFIED

Bannister, Matthew (2015) "Bush Camp"? The Topp Twins and Antipodean Camp. Australasian Journal of Popular Culture, 4 (1). pp. 3-14. ISSN 2045-5852 UNSPECIFIED

Bannister, Matthew (2019) Counterculture. In: The Blackwell Encyclopedia of Sociology. John Wiley & Sons, Oxford, UK. ISBN 9781405165518 UNSPECIFIED

Bannister, Matthew (2014) Engaging with creativity in research through Bergson. [Item presented at a conference, workshop or other event, and published in the proceedings] UNSPECIFIED

Bannister, Matthew (2010) Gender agendas: Researching women musicians in Hamilton, Aotearoa/New Zealand. In: What's it worth?: 'Value' and Popular Music: Selected papers from the 2009 IASPM Australia/New Zealand Conference. IASPM-ANZ, Dunedin, New Zealand, pp. 6-10. ISBN 9780958149723 UNSPECIFIED

Bannister, Matthew (2011) Habitus and creativity in popular music. In: Bourdieu hui@Waikato, 15 November, 2011, Hamilton, New Zealand. (Unpublished) UNSPECIFIED

Bannister, Matthew (2011) Happy Camping: The Topp Twins perform Aotearoa/New Zealand. Instruments of Change. pp. 15-20. UNSPECIFIED

Bannister, Matthew (2013) Happy campers: The Topp Twins, queerness and New Zealand identity. In: Situating Popular Musics: IASPM 16th International Conference Proceedings. IASPM. UNSPECIFIED

Bannister, Matthew (2020) “I'm a little black boy and I don't know my place”: Phil Lynott and the Black Atlantic. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

Bannister, Matthew (2017) IASPM Journal, Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic. IASPM (International Association for the Study of Popular Music, Online. UNSPECIFIED

Bannister, Matthew (2012) ‘Isn’t he a bit like you and me?’ Nowhere Boy and the feminised rock biopic. Screen Education (68). pp. 123-127. ISSN 1449-857X UNSPECIFIED

Bannister, Matthew (2021) “I’m a Little Black Boy and I Don’t Know My Place”: Phil Lynott and the Black Atlantic. Rock Music Studies, 9. ISSN 1940-1159 UNSPECIFIED

Bannister, Matthew (2006) ‘Loaded’: Indie guitar rock, canonism, white masculinities. Popular Music, 25 (1). pp. 77-95. ISSN 0261-1430 UNSPECIFIED

Bannister, Matthew (2016) Nothing But Time: Bergson’s Duration, Systems Theory, and Musical Creativity. Journal of Genius and Eminence, 1 (1). pp. 72-79. ISSN 2334-1130 print/2334-1149 online UNSPECIFIED

Bannister, Matthew (2016) Nothing but time: Bergson’s duration, systems theory and musical creativity. Journal of Genius and Eminence, 1 (1). pp. 72-78. ISSN Print 2334-1130; Online 2334-1149 UNSPECIFIED

Bannister, Matthew (2019) Taken by strum: ukuleles and participatory music-making in Hamilton, Aotearoa/New Zealand. In: On Popular Music and its Unruly Entanglements. Palgrave MacMillan, Switzerland, pp. 59-81. ISBN 978-3-030-18098-0 UNSPECIFIED

Bannister, Matthew (2015) Under the covers: Copyright, cover versions and the Internet. [Paper presented at a conference, workshop or other event, and published in the proceedings] UNSPECIFIED

Bannister, Matthew (2014) “We got nothing but time”: Duration, systems theory and musical creativity. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

Bannister, Matthew (2012) "We hope you will enjoy the show": Sgt Pepper as camp entertainment. In: Routes, Roots and Routines: Selected papers from the 2011 Australia/New Zealand IASPM Conference. IASPM. ISBN 9780975774755 UNSPECIFIED

Bannister, Matthew (2016) “Where we going Johnny?” Homosociality and the early Beatles. In: The Routledge research companion to popular music and gender. Routledge, Abingdon, UK, pp. 35-47. ISBN 978-1-472-45683-0 UNSPECIFIED

Bannister, Matthew (2006) White boys, white noise: Masculinities and 1980s indie guitar rock. Ashgate Popular and Folk Music Series . Ashgate Publishing, Aldershot, United Kingdom. ISBN 9780754651901 UNSPECIFIED

Bannister, Matthew Why doesn’t anyone write anything about Slade? Reassessing glam. Popular Music History, 14(3), 227–246. doi:10.1558/pomh.20527. Popular Music History, 14 (3). 227-246.. ISSN 1743-1646 UNSPECIFIED

Bannister, Matthew (2015) You gotta move: duration, systems theory and musical creativity. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

Bannister, Matthew (2008) "You’ll only end up like Rimbaud…. In: Music on the edge : selected papers from 2007 IASPM Australia/New Zealand Conference. IASPM Australia/New Zealand, Dunedin, New Zealand, pp. 2-8. ISBN 9780975774724 UNSPECIFIED

Bannister, Matthew (2016) The impossible song of the huia: music in Taika Waititi’s films. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

Bannister, Matthew and Berry, Megan (2016) "She Said She Said" - The Influence of "Feminine Voices" on John Lennon's Music. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

Bannister, Matthew and Berry, Megan (2016) “She Said She Said” – The Influence of "Feminine Voices" on John Lennon’s Music. [Paper presented at a conference, workshop, or other event which was not published in the proceedings] (Unpublished) UNSPECIFIED

G

Galeyev, Bulat M and Brown, Sally (2010) Bulat Galeyev SOVIET FAUST Leon Theremin-pioneer of Electronic Art translated from the Russian by Salley Brown. ETT Imprint, Sydney, New South Wales, Australia. ISBN 9781875892761 UNSPECIFIED

K

Kerr, Vicki J (2021) Performing nature unnaturally: musique concrète and the performance of knowledge one seabird at a time. [Paper presented at a conference, workshop or other event, and published in the proceedings] Kerr, V. (2021). Performing nature unnaturally: Musique concrète and the performance of knowledge one seabird at a time. In M. M. Steagall & S. N. Gallo (Eds.), LINK 2021 conference proceedings, 2(1). https://ojs.aut.ac.nz/linksymposium/article/view/129

M

Mandelberg, John (2007) New Zealand contemporary composers. [Contribution to a Show/Exhibition] UNSPECIFIED

Mandelberg, John and Petrenko, Yelena (2010) Synaesthesia & an interview with the author, Bulat Galeyev. In: SOVIET FAUST Leon Theremin - Pioneer Electronic Art. ETT Imprint, Sydney, New South Wales, Australia, pp. 88-96. ISBN 9781875892761 UNSPECIFIED

Mandelberg, John and Sherman, Nikolai and Bandt, Ros (2007) Ros bandt sound sculptor. [Video] UNSPECIFIED

Mandelberg, John and Sidwell, David and Senior, Wayne L (2016) Tales of Nikolai Gogol. [Performance] UNSPECIFIED

Mayall, Jeremy Mark and Horo, Horomona (2020) Kei tua O te arai (Beyond the Veil): Taonga Puoro and contemporary technologies in musical conversation. In: Indigenous Research Ethics: Claiming Research Sovereignty Beyond Deficit and the Colonial Legacy (Advances in Research Ethics and Integrity, Vol. 6). Emerald Publishing, pp. 223-235. ISBN 978-1-78769-390-6 UNSPECIFIED

Meade, Xavier and Mandelberg, John and Sidwell, David (2016) Conversations Between Theremin and Soprano. [Fashion or graphic designs] UNSPECIFIED

R

Rogerson-Berry, Megan (2016) Gender identity, the queer gaze, and female singer-songwriters. In: Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, UK, pp. 246-256. ISBN 9781107680913 UNSPECIFIED

W

Waretini-Karena, David/Rawiri (2009) Maori showbands: Intrepid journeys. Masters thesis, Wintec. UNSPECIFIED

This list was generated on Sat Apr 20 01:30:27 2024 UTC.