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Abstract
This essay explores Beech and Roberts’ theory of the philistine in relation to the emergence of The Young British Artists. It specifically addresses the work of Sarah Lucas in terms of philistine modes of attention. There is a focus on the collaborative aspect of artist, gallery and viewer in relation to sculptural and installation contemporary art.
Item Type: | Student Project |
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Uncontrolled Keywords: | The Abject, philistine, philistinism, feminine roles, religion, the feminine, assemblage, installation art |
Subjects: | N Fine Arts > NB Sculpture |
Divisions: | Schools > School of Media Arts |
Depositing User: | Gaby Douglas |
Date Deposited: | 11 Jun 2012 06:10 |
Last Modified: | 21 Jul 2023 02:59 |
URI: | http://researcharchive.wintec.ac.nz/id/eprint/2004 |